Labour & Pop Culture: Private Dancer

This week’s installment of Labour & Pop Culture is “Private Dancer” by Tina Turner. The song is sung from the perspective of a worker in the sex industry. We don’t normally think about sex workers as workers—although they are.

A new course under development at Athabasca is hoping to change that. LBST 4XX (Sex work and sex workers) will examine the sex industry and the experiences of those work in it. While sex work represents one of the most extreme forms of employment, it shares many features with other forms of employment. Specifically, it is a relationship of power wherein one party appropriate the surplus value generated by the other, often employing coercion and externalizing costs in gendered and racialized ways.

The course offers an overview of the sex industry in a variety of theoretical and material contexts, as well as an in-depth focus on prostitution in the Canadian context. Taking “the prostitute” as the stereotype that drives public sex work policy, this course examines the myriad images of and circumstances in which sex work occurs. In addition to reading key texts by scholarly experts on the sex industry, we will hear from sex workers themselves about their jobs, working conditions, and the power dynamics of sex work.

Students will learn to analyze sex work as work through a variety of theoretical lenses, and to identify similarities and differences in legal and policy positions that respond to feminism, queer theory, critiques of neoliberalism and globalization, postcolonial praxis, and progressive legalism. This includes examining how labour policies, such as occupational health and safety policies, affect sex workers, the roles of clients and third parties in the sex industry, and sex workers’ labour organizing.

I’m hopeful this course will open in late 2019.

Well, the men come in these places
And the men are all the same
You don't look at their faces
And you don't ask their names
You don't think of them as human
You don't think of them at all
You keep your mind on the money
Keeping your eyes on the wall

I'm your private dancer
A dancer for money
I'll do what you want me to do
I'm your private dancer
A dancer for money
And any old music will do

I want to make a million dollars
I want to live out by the sea
Have a husband and some children
Yeah, I guess I want a family
All the men come in these places
And the men are all the same
You don't look at their faces
And you don't ask their names

I'm your private dancer
A dancer for money
I'll do what you want me to do
I'm your private dancer
A dancer for money
And any old music will do
I'm your private dancer
A dancer for money
I'll do what you want me to do
Just a private dancer
A dancer for money
And any old music will do

Deutschmarks or dollars
American Express will do nicely, thank you
Let me loosen up your collar
Tell me, do you want to see me do the shimmy again?

I'm your private dancer
A dancer for money
Do what you want me to do
Just a private dancer
A dancer for money
And any old music will do

All the men come in these places
And the men are all the same
You don't look at their faces
And you don't ask their names
You don't think of them as human
You don't think of them at all
You keep your mind on the money
Keeping your eyes on the wall

I'm your private dancer
A dancer for money
I'll do what you want me to do
I'm your private dancer
A dancer for money
And any old music will do
I'm your private dancer
A dancer for money
I'll do what you want me to do
I'm your private dancer
A dancer for money
And any old music will do

I'm your private dancer, a dancer for money
I'm your private dancer, a dancer for money
I'm your private dancer, a dancer for money
Just a private dancer, a dancer for money

-- Bob Barnetson